Glabb’s painting practice merges silkscreen and painting into hybrid works that explore the relationship between medium, hierarchy, and belonging. Incorporating existing imagery emphasizes accessibility, positioning references as a form of currency.

Glabb’s digital practice reworks cultural material through photomontage. Appropriation and recombination of existing photographs generate new meaning about representation and identity. The work also questions the limits and purpose of photography.

Glabb’s video practice is experimental, employing sound, duration and movement to engage with the saturation of screen-based content and what lies beyond the static  image.